Not everyone’s cup of tea, I know, but waaaay back when I was doing a casting workshop as part of my silversmithing training, my husband requested a skull.
I carved this one out of wax, and after the casting process, it lived on my bench for a couple of years. Finally, I cleaned it up, and thought about what piece to create with it for the minimalist man who has everything!
A money clip was the answer. This is the only piece I have ever made my husband, and it was a long time coming – but I think he found it worth the wait. This is a one-of-a-kind piece – not only because I made it for a loved one, but because I don’t have the specialist equipment required to do casting. The perfect gift for a metal-loving guitar player!
The very last piece that I made in my training course last year was this sterling silver and garnet crown set ring. It’s a bit of a departure from my normal style, but I like it!
I specifically chose a garnet because my lovely sister who lives on the other side of the world has just turned 50, and she likes garnets.
The culmination of our year’s worth of Silversmith training was a weekend session in which we were expected to create a complex piece which we had previously designed. We had to hand in a rendering, an art drawing, a technical drawing with notes and a set of procedural notes before creating the piece over the space of 15 hours.
I designed this dome lidded ring featuring a grey cat’s eye moonstone cabochon, which can be worn either with the lid on or off. I received a mark of 92.2% for this piece. I’m pleased with it!
This ring was the second last piece I made for my Vocational Course. The design was one provided by the school, as the task was to learn claw/basket setting. I chose the stone though!!
I made the ring particularly for my mum, for her birthday. She’s delighted with it!! Hooray!!
I finally finished making a pendant from the last piece of cuttlefish casting I had from our casting workshop earlier this year.
It’s a bit of a departure from my usual style, but the casting just seemed to need some softness with it!
My teacher gave me a couple of suggestions for how to finish it off – thanks Sue! I love the nature of silversmithing, there’s always some new way to look at things and something new to be learned!!
The brief for our seventh project for the course I’m doing this year was to create a piece using chenier hinge as a feature rather than a function. (Chenier is hollow tubing, in case you weren’t sure!)
I designed this pendant so that it could be worn both horizontally and vertically. The six plates rotate around a centre rod. There were a few challenging moments to my usual sadly limited patience during the construction of this piece. Titanium is an interesting but hard metal to work with.. physically hard rather than mentally! It’s a dull grey colour, and very hard to cut, file and especially drill. The gorgeous colour is achieved by heating very carefully, so it has to be riveted on rather than soldered. I added the titanium mainly because I fell in love with the blue quartz bullet stones!!
Once in a while, my fellow students and I agree, you make something that has many challenging stages in it, and many learning experiences. By the end of the process you are pretty over it – so you pop the piece away for a while, and when eventually you bring it out once more, it usually is much more pleasing than you remember! This is one of these pieces! 🙂
As part of the goldmithing course I did in 2012 I attended a weekend casting workshop. We did some lost wax casting (more on that later), and also some cuttlefish casting. Yes, really using cuttlefish! Or more correctly, their little (or not so little) cuttlebones. I hasten to add no actual cuttlefish were harmed in the making of this jewellery – their life expectancy is around one to two years, they die soon after mating, and you can quite often find their cuttlebones washed up on the beach.
The procedure for cuttlefish casting is to cut the ends off the cuttlebone and cut it in half. Grind down the two surfaces until they are flush. Carve a funnel in one end of the two halves, and carve your design just below that. Bind the sides together to form a mould, smelt your silver and pour it in!
I cuttlefish-cast the bottoms of these two pieces, then set bezels with bails attached into the cast pieces to create pendants. One is set with malachite, the other with paua shell.
I had to hand these pieces in as part of my final presentation, and then they were sold from my online shop.
Pharaoh Cuttlefish
Cuttlefish are members of the cephalopod family, like ocotpus, squid and nautilus. They emit a brown ink to help them evade predators. This ink, known as sepia, was once prized as a dye. Cuttlefish have green blood, due to haemocyanin, which carries oxygen and contains copper, unlike humans who have iron-containing haemoglobin filled red blood. Cuttlefish have beaks. Cuttlefish have chromatophoric cells, which enable them to change the colour of their skin instantaneously. Aren’t they wonderful! And coincidentally in keeping with my (unplanned) marine themed year!!! Thanks, little guys!!
The lastest project for my goldsmithing course was to cold forge a sterling silver spoon. Creating fine metal jewellery is called goldsmithing, and creating fine metal tablewear is called silversmithing… which creates some confusion!!!
Lots of hammering, some bending, doming, soldering and polishing later, and it was done.
I started out thinking I would make a metric teaspoon, then decided that was too difficult. I measured the volume of the bowl of the spoon out of interest, and guess what? It’s a metric teaspoon!!!
Ok, so this piece is not for sale – but I did create it! This seashell is the physical component of my latest goldsmithing course project brief. Lots of wire bending and soldering made this an interesting and challenging piece to create.
It started life as a sketch from my mind, and went through some incarnations on paper, as a freehand art drawing:
In keeping with the nautical theme I seem to have going, a diving bell a la Jules Verne is another piece that I made. Ok, so it’s not really a diving bell. But close one eye and it could be!!
I created this pendant for the goldsmithing training course that I am presently undertaking. The brief was fairly simple – make something incorporating a hollow ball! Great fun.
