Inspiration – Munsell Colour System

Albert Henry Munsell was born in Boston Massachusetts on January 6, 1858 and died on June 28, 1918. He attended the Massachusetts Normal Art School in Boston, and was hired as an instructor in 1881 shortly after graduating. He was later appointed lecturer in Color Composition and Artistic Anatomy. Munsell taught at the institution for 37 years. He took a brief leave from 1885-1888 to study art in Paris at L’Ecole des Beaux Arts, where he won several awards for his work. (I feel Massachusetts must have been a magical place – my favourite Ralph Waldo Emerson was from there, as were Edgar Allan Poe and  the wonderful Theodor Seuss Geisel!)

{photograph of Munsell included in his 1905 book''A Color Notation''}

{photograph of Munsell included in his 1905 book”A Color Notation”}

Munsell is best known for his 1905 book ‘A Color Notation’, and his 1915 book (and precursor to today’s ‘Munsell Books of Color’), ‘Atlas of the Color Solid’. As well as being an artist and teacher, Munsell was also an inventor. He holds several patents for a color-sphere and mount; an artist’s easel, and a photometer. I love that he developed a range of crayons in 1906, which in 1926 were sold to the Binney & Smith Company (owner of Crayola) and were then referred to as ‘Munsell Crayola Crayons‘.

The Munsell color system is three-dimensional, and specifies colors based on three color dimensions: hue, value (lightness), and chroma (color purity). This evolving color science theory served as the basis for today’s color matching technology.

I was very taken with this system, as it seems to me to be able to pinpoint with ease every imaginable colour! The only place I feel it is lacking is in the romance department – colour is divine, but gorgeous names for colour make it even more so. It doesn’t matter at all – we can all see 5GY, and call it lime, apple, chartreuse. 5RP makes sense – and it can be known as magenta, fuchsia or mulberry.

To celebrate finding out about Munsell, I’ve re-organised the ‘filter by colour’ option in my shop to include some more of the wonderful hues (and I’ve named them, too.) Beautiful, wonderful, magnificent colour – where would we be without you!

Mandrels and Mallet

In My Jeweller’s Workshop IV

A day (or two) in the life of a jeweller! First some mandrels and my mallet. (I was creating a set of palm bracelets and I needed to make them uniform, hence the texta markings on the mandrels.)

Jeweller's Bench 15-09-23

A sneak peek at a very special birthday present in the making! More on that to come.

20150730_040746884_iOS

Me, setting a stone in a ring using my engraving ball.

Jeweller's Bench 15-10-15

The end of a productive session!

October 2015 Newsletter Giveaway Prize Winner

The winner of last month’s newsletter giveaway was Andy, so a big congratulations there! The prize is a pair of yellow Czech glass earrings.

Czech Earring Tile - Yellow 1024

If you’re subscribed to my newsletter, you are automatically entered into each month’s draw, and the giveaway next month will be a pair of pink Czech glass earrings. Make sure you’re signed up, and good luck!

Czech Earring Tile - Pink Mailchimp

 

smithing – creation of a gemstone and sterling silver pendant

It’s always a joy to see other people’s creative techniques. I have written before here and here about the process of silversmithing, and I thought you might like another little insight into this world.

Emerald Green Drusy Agate Oval Cabochon

First, the drusy gemstone (from my never-ending collection!) and a rough design sketch. I’ve already created the bezel (the metal that wraps around the stone) in this picture, bending a straight strip of metal (like the one pictured) around the stone.

smithing - creation of a gemstone and sterling silver pendant

The next step is preparing the backing plate. He’s some sawing and filing in action.

After filing, comes emerying.

smithing - creation of a gemstone and sterling silver pendant

smithing - creation of a gemstone and sterling silver pendant

And laying out the component parts to see how it will look. The balls of silver are made by heating some little pieces of silver until they melt – the molten silver naturally gathers up into a sphere. It’s fun stuff!

smithing - creation of a gemstone and sterling silver pendant

I emery the back of the bezel flat, so that the join between the two pieces of metal will be exact and the solder will flow correctly.

smithing - creation of a gemstone and sterling silver pendant

Then it’s time for a bit of heat.

I love how from this dirty blackened thing comes an object of beauty!

smithing - creation of a gemstone and sterling silver pendant

Into a solution of sulphuric acid to remove all the oxidization etc.

smithing - creation of a gemstone and sterling silver pendant

While the piece is pickling, I create the bail (the part from which the pendant will hang), and a little plate stamped with my maker’s mark and ‘925’ to show the piece is made from sterling silver.

smithing - creation of a gemstone and sterling silver pendant

Those are soldered onto the piece, then it’s back in the pickle and after that, a rinse off.

smithing - creation of a gemstone and sterling silver pendant

smithing - creation of a gemstone and sterling silver pendant

After a good clean-up, with lots of emerying down to a fine grade, I mount the piece on a wax dop so that i can set the stone.

smithing - creation of a gemstone and sterling silver pendant

My engraving ball comes in super-handy here!

smithing - creation of a gemstone and sterling silver pendant

Some time with my chasing hammer, and the stone is set.

smithing - creation of a gemstone and sterling silver pendant

And finally, the finished piece!

Bright Green Drusy Agate and Granulation Sterling Silver Pendant

If you like this pendant, you can see more of it here in my shop.

Reticulated Sterling Silver Pendant

Flashback – Reticulated Pendant

Reticulation is a texturing which occurs when silver is heated almost to melting point. The surface of the silver shimmers and moves. It’s a fine balance between a molten surface and an unrecognisable lump! The process is very satisfying when you get it right. I created this pendant (and also the base of this ring) at the school I attended, starting with a flat straight rectangle of silver. I added the silver spheres and some stippling, with a chenier bail, et voila! 🙂

Reticulated Sterling Silver Pendant

Simple yet effective!

September 2015 Newsletter Giveaway Prize Winner

Rachel won last month’s newsletter giveaway, so a big congratulations to her! She gets to choose herself a pair of green Czech glass earrings.

Czech Earring Tile - Green

This month, the newsletter giveaway is a pair of yellow Czech glass earrings.

Czech Earring Tile - Yellow 1024

If you’re subscribed to my newsletter, you are automatically entered into each month’s draw, so next month it could be you. Good luck!

Sterling Silver Seashell

Inspiration ~ The Fibonacci Sequence

Because of my love of spirals, I got interested in the Fibonacci sequence. Now, I’m no mathematician, so don’t get too excited, but I did a bit of research, and this is what I found out.

Fibonacci

Leonardo Bonacci (c. 1170 – c. 1250), known as Fibonacci, was the son of a wealthy Italian merchant. During travels with his father, he came across the Hindu-Arabic numeral system in Algeria – this is the counting system we use today, with symbols 0-9 for numbers and positional notation (place values showing ones, tens, hundreds etc.). He promoted this system in 1202 in a book called Liber Abaci.

Liber Abaci also outlined a problem involving the hypothetical growth of a population of rabbits. The solution was a sequence of numbers which  were later named ‘Fibonacci sequence’ by the 19th-century number theorist Édouard Lucas. It should be noted that although Fibonacci’s Liber Abaci contains the earliest known description of the sequence outside of India, the sequence had been noted by Indian mathematicians as early as the sixth century. Good on you, Fibonacci (and Lucas), sorry ’bout that Indian mathematicians!

In the Fibonacci sequence of numbers, each number is the sum of the previous two numbers. Fibonacci’s problem considered the growth of an idealized rabbit population, assuming that: a newly born pair of rabbits, one male, one female, are put in a field; rabbits are able to mate at the age of one month so that at the end of its second month a female can produce another pair of rabbits; rabbits never die and a mating pair always produces one new pair (one male, one female) every month from the second month on. The puzzle that Fibonacci posed was: how many pairs will there be in one year?

OK, so that’s all sounding a bit like ‘two trains are heading in opposite directions at 53km per hour, at a gradient of 14 degrees – so, what is the driver’s name?” however:

At the end of the first month, they mate, but there is still only 1 pair.
At the end of the second month the female produces a new pair, so now there are 2 pairs of rabbits in the field.
At the end of the third month, the original female produces a second pair, making 3 pairs in all in the field.
At the end of the fourth month, the original female has produced yet another new pair, the female born two months ago produces her first pair also, making 5 pairs.
At the end of the nth month, the number of pairs of rabbits is equal to the number of new pairs (which is the number of pairs in month n − 2) plus the number of pairs alive last month (n − 1). This is the nth Fibonacci number.

So the sequence looks like this: 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 which can be shown in tiles in this fashion:

From this, comes the glorious Fibonacci spiral – which is an approximation of the ‘golden spiral‘ created by drawing circular arcs connecting the opposite corners of squares in the Fibonacci tiling.

 

Fibonacci sequences appear in nature –  branching in trees, the arrangement of leaves on a stem, the fruit sprouts of a pineapple, artichoke flowers, an uncurling fern all follow the sequence. Apparently some claims of Fibonacci numbers or ‘golden sections’ in nature (the breeding of rabbits in Fibonacci’s own unrealistic example, the seeds on a sunflower, the spirals of shells, and the curve of waves) are poorly substantiated – pretty sure the above looks just like a shell, though, so I’m running with it! And there, my friends, endeth the lesson – if you’d like to know more, a Google search will lead you down many rabbit warrens on the interesting Fibonacci spiral.

Mount Eliza Art and Design Show – 2015

I was happy to be invited to exhibit at the 2014 Mount Eliza Art and Design Show again this year! This time, I will be sharing my ~bubbles~ collection. A selection of the pieces you see here will be on display and available to buy at the show. 

Bubbles Collection Necklace Tile

This is the 36th annual show, and it will be hosted by Mt Eliza North Primary School, 6 Moseley Drive, Mt Eliza, Victoria from 23rd to 25th October. If you’re in that area, why not pop in for a visit?

Bubble Pendant Tile

 

The Silver Forge Survey 2015

Input from you lovely people is very valuable to me, so I’m hoping you might give 2 to 3 minutes of your precious time to do a very quick anonymous survey!

To say thank you for completing the survey I’m offering you a $10 voucher for my online shop. You can take the survey here.

Thanks! Mwoah!