Back in November 2012, I was happy to be featured in an interview on Lilly’s Life – a blog hosted by the lovely and amusing Lilly.
For a giveaway prize, I offered two gift vouchers to the value of $35 each. Although it’s over, you can read about the giveaway here.
The lucky winners were Abby Lee from Western Australia and Vicky Westra from Minnesota in the USA – congratulations to both!
Abby chose this Seaglass and Sterling Silver Pendant as her prize.
Vicky chose these Sterling Silver and Swarovski Crystal Earrings.
Vicky has a blog, Westra World, which chronicles her daily life as she undergoes treatment for breast cancer. She is a brave and amazing woman. Best and warmest wishes go out to her.
After I wrote my first “photo prop” blog post about the piece of rock that I found in Egypt, I got to wondering about this black and white stone, and what it actually was.
When I was 13, my family and I travelled to England (en route to France where we lived for a while). While visiting my great-aunt, who lived in the little village of Storrington in Sussex, we went for a traipse on the South Downs. At that age, I don’t suppose I was thrilled with the prospect, but I found this special stone (the prop at the back, not the pendant at the front…), which has travelled from home to home with me ever since! Yes, I confess to being a bit of a hoarder of nature…
A quick email to my mum later, to find out where we would have been walking, (thank goodness for her memory..mine just doesn’t stretch to things like that!!) and a quick Google later, I can tell you that it is flint, surrounded by limestone chalk.
(Now, thanks to the South Downs National Park Authority and The Bournemouth University, comes the history lesson… do fast forward the boffin part if you’re not that into it!! :))
125 million years ago, the south east of England was a low-lying landscape covered by a large shallow freshwater lake with several rivers flowing into it. These rivers carried vast amounts of clay or mud, which started to build up in layers on the bed of the lake. The freshwater lake was home to massive prehistoric reptiles such as the Iguanadon and the Plesiosaurus. Eventually the clays reached a thickness of nearly 200 metres, forming the first layer known as the Weald Clay.
The land continued to sink until eventually the ocean broke in laying down massive layers of sand known as Lower Greensand. The sea gradually deepened and the waters became still. Under these conditions, a thick dark mud collected known as Gault Clay. After this period, there were strong underwater currents in the sea and the sandier sediments of the Upper Greensand were deposited.
97 million years ago, the sea began to lay down the chalk of the South Downs. Chalk is a white soft limestone, which has been formed from the skeletons of marine creatures deposited, squeezed and eventually fossilised on the sea-bed. This process continued for 20 million years and to a thickness of more than 300 metres. Chalk contains visible fossils of creatures that lived in the sea 90 million years ago, including ammonites, sea urchins and fish sponges.
Flint occurs naturally within the upper chalk. It may be found on or just under the surface as nodules or deep underground as horizontal seams. Flint is the only hard rock to be found on the Downs. Flint was formed from the skeletons of minute animals, such as radiolarians, that floated around in those ancient seas.
65 million years ago the ocean floor began to rise, the sea became shallower and the formation of chalk stopped. Deposits of clays, pebbles and sands were laid down.
20 million years ago, the South Downs were raised from the seabed, through the movement of the earth’s crust. The land masses or ‘tectonic plates’ of Africa and Europe moved towards each other and collided. The rocks were pushed up and created mountain ranges, including the Himalayas and the Alps. The south east of England was caught up in this ‘Alpine Storm’ and the ripples pushed the layers of rock upwards forming a vast extended dome of chalk. The neat layers of sands, clays and chalk, laid down over millions of years in fresh and salt water gradually hardened into rock.
Over millions of years, the landscape has gradually changed shape to form the South Downs as we know it today. The centre of the dome has been eroded. The soft chalk at the top of the dome gradually cracked and crumbled and the falling rain carried off these shattered pieces of chalk. This left an outer upstanding rim of chalk surrounding a lowland plain formed from older layers of clay and sandstone. The outer rim of chalk forms the uplands of the North and South Downs and the central plain is known as the Weald.
2 million years ago were The Ice Ages. Although the South East of England was not covered in ice, an intensely cold climate dominated this area. This meant that the rock and soil was frozen for most of the year. Summer rain and melt-water could not soak into the frozen chalk. So this water formed streams which carved out valleys on the Downs. The rapidly melting snow during the last ice age also carried rock and soil from the hillsides on to the floors of the valleys.
When the climate became warmer, the frozen ground eventually thawed and the water soaked into the little holes in the chalk, leaving the valleys dry. These dry valleys, known in Sussex as coombes, are V-shaped with steep sides. Patches of clay with flints can be found in places on top of the Downs. This is the remains of some clay that was once on top of the chalk that got mixed up with flints from the chalk.
Mining for deeply bedded flint seams of flint began in the Early Neolithic, around 4000 BC, the extraction pits surviving today as large crater-like hollows in the chalk. Early people on the Downs found that they could use the razor-sharp edges of flaked flint as a cutting tool. Flint mines therefore represent one of the oldest and most distinctive forms of archaeological monument recorded from the British Isles. Mines are clearly visible today as a series of impressive oval and circular depressions.
Harrow Hill Flint mines, West Sussex, today
Harrow Hill flint mines under excavation, 1936
I like to try to imagine what life was like back then. Imagine people, six thousand years ago, mining flint for tools. Wonder if any of them were my relatives?
So, there it is, my little piece of history. I am awed when I think of it! Not only does it remind me of England, and my heritage there, but fancy holding something in my hand that has been around for 100 million years!!!
I came across the most divine pieces pictured in ‘Jewelry Concepts and Technology’ by Oppi Untracht, a fantastic book that I bought recently. I was inspired to research John Paul Miller, the artist who created them.
Miller was born in 1918, and started his career as a painter. Inspired by the creations of a fellow student, he started making silver jewellery of his own. After receiving advice from the director of his school that “we don’t need any more good watercolor painters. Why don’t you concentrate on jewelry?” he turned his full attention to the craft.
Miller rediscovered the lost Roman art of granulation. He immersed himself in enamelling. I love his work, it is so intricate and organic. I can only dream of aspiring to be one hundredth as good as this!!
From the interviews I have read, he seems, at 94, to be a humble and gentle man, who has lived an interesting life – well worth reading more about. Thank you, John Paul Miller, for providing such beautiful, inspirational works to the world!
While walking through the Brisbane Chinatown Mall in Fortitude Valley one evening, I was delighted to discover this divine sculpture, “The Carp Leaps Over The Dragon Gate”, designed by Catherine Chui. According to the legend, the carp faces challenge with great courage to undergo metamorphosis from fish to dragon, and so represents a spirit of initiation, exploration, persistence and willpower. The shape of the Brisbane River forms the Carp’s spine. It is part of the revamping of ChinaTown, and is designed and situated with good Feng Shui principles in mind. I love his silvery orangeness and his innards!! 🙂
The brief for our seventh project for the course I’m doing this year was to create a piece using chenier hinge as a feature rather than a function. (Chenier is hollow tubing, in case you weren’t sure!)
I designed this pendant so that it could be worn both horizontally and vertically. The six plates rotate around a centre rod. There were a few challenging moments to my usual sadly limited patience during the construction of this piece. Titanium is an interesting but hard metal to work with.. physically hard rather than mentally! It’s a dull grey colour, and very hard to cut, file and especially drill. The gorgeous colour is achieved by heating very carefully, so it has to be riveted on rather than soldered. I added the titanium mainly because I fell in love with the blue quartz bullet stones!!
Once in a while, my fellow students and I agree, you make something that has many challenging stages in it, and many learning experiences. By the end of the process you are pretty over it – so you pop the piece away for a while, and when eventually you bring it out once more, it usually is much more pleasing than you remember! This is one of these pieces! 🙂
My sister first introduced me to the fantastic architectural works of Antoni Gaudi i Cornet, blogging photos of his creations she visited when she was in Spain. I think he is the master of all things when it comes to architecture. His use of fluid, organic lines and beautiful mosaic tiling just blows me away!
I love that he didn’t just design amazing buildings, he had input into everything that went into or onto them. He was skilled in various arts: ceramics, stained glass, carpentry and wrought iron forging, all of which he incorporated into his beautiful works.
Born in 1852, he was unique, especially in a time which had probably never seen anything remotely like this before!
A truly inspirational man, well worth spending some time immersing yourself in his story and works.
Oh, for a visit to Barcelona to see his work!! It’s on my list of one day dreams….
I remember when I first learned of the existence of colour swatch books that held what seemed to be every colour in the universe. What a revelation! How exciting to flip through, and so much browsing and dreaming and marvelling to be done! (And who knew there were five trillion shades of white?) Pantone brought you all the colour you could ever need.
Then, they brought out bone china coffee mugs in vibrant colours, each one representing a chip from the Pantone colour chart. I coveted one, but who could choose which colour to have!
Pantone Mug -Mushy Pea
Recently, I’ve become aware that Pantone release a fashion colour pallette each season. OOOOOHHHHH!!!
This is the Spring 2013 collection. OK, so this is a northern hemisphere-centric range, and I live in Australia where it is already spring, but I think there’s something here for everyone!
I think I’ve got most of these gorgeous colours just about covered in my gemstone stash, just waiting to be picked out and set in some gorgeous big ring or pendant. I’m glad to see I’m on the right fashion track!
At last, a piece that I am going to keep for myself!!
The stone in this ring is howlite, which is most often seen dyed and passed off as turquoise. I just like it in its natural creamy white form!
Surprise, surprise, this ring is huge – the stone is four centimetres long. I like this ring, it’s really nice to wear, compliments most outfits, and it makes me feel happy!!
Have you wanted to buy a ring online, but not known your ring size? It’s always best to get a professional to measure with the appropriate gauges, however if you don’t have easy access to a jeweller then you can try the following to work out your size:
Measuring Your Finger
Take a piece of stiff cardboard, plastic or thick wire and wrap it around your finger, then mark the exact spot where the ends join. Do not use a piece of string or paper, as these will bend to the shape of your finger. A piece of cereal box or similar should be about right for most rings. It is best to make the piece of card etc. the width of the new ring. With a ruler measure the length of this piece of card or wire. Read the ring size by circumference from the chart below.
After you have measured the length then tape it together and put it on your finger just like a real ring. Make it a firm fit, but be sure not to push or squeeze it because you won’t be able to do that with a real ring. Make sure it fits over the knuckle. If you have used a thin piece of wire and your new ring is a wide band you must add some size to allow for this. The reverse may also be true. If you use a wide piece of cardboard but the ring is going to be thin then take a quarter size off.
Your ring should fit your finger comfortably; snugly enough so that it will not fall off, but loosely enough to slide over your knuckle. Finger size changes depending on the time of day and the weather. For best results measure your finger size at the end of the day and when your fingers are warm (fingers are smaller in the early morning and when cold.) Measure finger size three to four times to make sure you get a correct reading.
Measuring an Existing Ring
You may already have a ring which fits the finger you are trying to measure. In this case, measure the inside diameter of the ring. This measurement is taken across the centre of the ring from the inside of one side to the inside of the other side. Measure more than once – the largest measurement will be the correct one. Once you have found that a couple of times you can be fairly sure that it is accurate.
Measure the inside circumference of the ring. Get a stiff rectangular piece of paper as thin as possible, roll it into a tube and slide it inside the ring until it fits perfectly. Keep cutting slivers off the edges of the paper until the ends are just touching. You will then have an inside length that you can measure accurately. Allow a touch extra because the paper will have taken up a bit of space inside the ring. Measure the length of the paper.
You now have two measurements to compare with the chart. You really only need one, but using both will give greater accuracy. Next, take the length of the inside of the ring, and mark this length on a piece of very stiff paper or thin cardboard. Tape it together so that it looks like a ring. Make it as wide as the real ring. Put this on your finger and then try the real ring on. The paper ring must be the same fit as the real ring. If you are measuring someone else’s ring on your finger, even if the rings don’t actually fit you, they will both fit on the same position on your finger. Check the inside diameter and inside circumference measurements against the chart and read the size.
I got to thinking about the pieces of nature that I use as backdrops for the photos of the pieces I make. Most of them are precious to me, and have little life stories behind them.
I found the piece of stone the ring is sitting on in this picture in the desert on a trip to Egypt. One of the places our journey took us was to El Alamein, where parts of World War Two were famously fought. As pictured below, the battlegrounds were basically desert, stretching on for miles and miles with no shelter and presumably very little water – it must have been a living (and dying) hell. The area is still so heavily mined that it is impossible to use it for anything, and of course the Egyptian Government don’t have the financial ability to have the mines removed. There is argument that the countries responsible for laying them should be responsible for removing them, which sounds like a fair call to me!
Battleground at El Alamein, Egypt
We went first to the German War Memorial, and saw the names of all the German soldiers who died there at El Alamein – most of them only about 20 years old. It was moving and saddening to think that each of the names we read represented the loss of life of a young man who didn’t necessarily want to be there fighting and killing, and that it also represented a lifetime of heartache for his family that were left behind.
After that we went to the War Museum, which was quite interesting, lots of info about the battle, and many examples of uniforms, weapons etc. Little scraps of letters written to loved ones. Outside the museum had all the anti-tank and anti-aircraft guns, and personnel carriers and tanks and the like on display. They found a Spitfire in the desert in 1999, and that was there – they also recently found a big three tonne Ford lorry used by the Canadians during the war buried in the sand, and apparently when they turned the engine over, it still started! Ford wanted to buy the battery back, but the museum wouldn’t sell it.
We then went to the Commonwealth Cemetery and Memorial, which is a huge area of graves – of course, the casualties at El Alamein were nothing compared with some of the other battles, but it seemed enormous nonetheless!
Commonwealth War Cemetery, El Alamein, Egypt
I had been researching my family tree not long before we took the trip to Egypt, and El Alamein went from being the only place on our agenda that I didn’t really care so much about seeing to being a point of interest for me, as my second cousin twice removed (so, that’s my grandfather’s grandfather’s brother’s grandson – confused yet? It’s quite a close family connection in genealogical terms, I promise! 🙂 ), was recorded as having died there at El Alamein. We found his name in the official grave register at the site, and recorded on the memorial wall, meaning that his body was never found so was unable to be buried there.
The register entry shows him lost in the SS Scillin – and the last battle in which he fought ended some days before the 14 November, which is shown as his date of death. The SS Scillin was actually an Italian ship, loaded with Commonwealth POW, which was sunk by a British submarine. Poor boy, dead at 22, killed by his own side. This information was only released by the British Government in 1996, so it is doubtful that his family ever knew what had really happened to him. I wonder what they were told? Regardless, I can only imagine how painful it must be to receive the news that your nearest and dearest has been killed in the war.
Anyway, I wandered around the cemetery reading some of the sad inscriptions, had a private cry at the tragedy and waste, and then went for a look at the Australian War Memorial, which is where I found this piece of stone, lying on some waste ground beside the path. I’m not sure if it’s natural, or if it’s a piece of rubble from some old building, but it spoke to me and I brought it home.